Throughout the majority this animation, the viewer can clearly sense the bunny’s irritation towards the moth that is flying about her kitchen and disturbing her baking. It is clear to the viewer that the bunny is elderly and appears to be rather cranky and set in her ways, so she does not take kindly to this energetic moth. This irritation eventually transforms into rage and the bunny does everything that she can to destroy the moth. Out of intense frustration, the bunny decides to incorporate the moth into the cake that she is in the midst of baking. As it is being baked, this aggravating, yet determined moth ends up opening a doorway to a starry world, which appears to be the afterlife, that the bunny is able to access through the oven. The bunny's irritation and rage transform into awe and wonder as she enters into this new world. It appears as if she is remembering her youth and her lover and thus the joys that life can bring. The film ends with the image of the bunny and her husband shown as younger, happier versions of themselves. As the bunny enters this new world, the music changes to match the feeling of awe that this starry world creates, making it easier for the viewer to connect with the transformation that the bunny is experiencing.
In the film Northfork, a young orphan lays confined to his bed while awaiting his inevitable death. He has a very powerful dream in which he moves freely through the air in a swing. Swinging is an action that many children enjoy as it creates a sensation that is similar to flying. The orphan, who in reality is unable to leave his bed or do anything on his own, smiles as he experiences the freedom of flying. He obviously has a strong desire for life, but is unable to physically express it as a result of his illness, so it is up to his mind to create the illusion of freedom and childlike enthusiasm.
The scenery is an incredibly important aspect in the film Paris, Texas. The director uses the scenery to highlight the personalities and attitudes of characters throughout the film. One scene beautifully illustrates the differing temperaments of Travis and his brother. A jagged and treacherous mountain range is featured behind Travis while he converses with his brother who is standing before a safe and pleasant looking pasture. This juxtaposition is meant to contrast Travis’s precarious and nomadic tendencies with his brother’s civilized and steady lifestyle. Another example in which the setting is symbolically rich is the string of scenes in which Travis visits his wife. Many physical barriers exist between the two of them. They are separated by a wall, then a one way mirror, so Travis can see his wife but she cannot see him, and lastly, they are forced to communicate via telephone. Travis tries desperately to reconnect with his wife despite these many barriers. These barriers seem to represent the emotional distance between the lovers that was caused by the apparent emotionally traumatic event that occurred in the past and caused their separation.